WHAT’S CLE ABOUT EVEN AT LUNCH
Michael Sean Quinn, Ph.D, J.D., Etc.*
This had to stop, and in “steps” the case of Employers Casualty Company v. Tilley, 496 S.W.2d 552 (Tex 1973). It held three propositions, two of them by implication. First, lawyers may not represent both the insurer and the insured, the latter of whom (or which) the lawyer is defending without the informed consent of the insured. Second, it is contrary to established propositions of the law of legal ethics to do this sort of thing. And, third, liability insurers may not continence the “tri-partite” relationship having this structure. Several cases have complicated the decision, nothing really of which to speak.
Here is where my problem began. For one thing, insurance defense lawyers have a duty to their clients, the “accused insureds” to discuss the case with the insurer so that the insurer can make rational decisions regarding the defense of the insured. (Of course, it must subordinate its interests to those of the insureds, or treat them equally at least.) For another, the defense lawyer may not lie to the insurer for obvious reasons. (For one thing it is legally unethical, second it contravenes the insured’s contractual duty to cooperate, and the lawyer is the agent of the client–the insured, and for a third reason, it would stand in the way of the lawyer’s believe-ability and that might hurt the insured’s chances of getting a reasonable decision from the insurer. At the same time the defense lawyer need not and cannot disclose everything to the insured, e.g., that which is privileged, and the lawyer may advocate his client’s interests to the insured’s carrier and his–the lawyer’s–employer.
Not that it matters here, but virtually all states have a law like this one. Sometimes the law is weakened with the consent of the insured. One way this can happen is if the insurer has two adjusters involved, namely one for the defense of the insured and another for coverage matters, and these adjusters are blocked off from one another. No informed insured should consent to this.
As the reader can plainly “see,” Tilley is not filled with folly. It has been very successful in the reorganization of insurance defense; what it has achieved is justice; the rule is accepted; and it has thereby improved the bar in all sorts of ways. (For example, it has riveted attention on conflicts of interest.)
So how could I give a luncheon lecture on this non-existence subject? The case is very serious; the reading of it is boring; while reading it one does not have the feeling of a system being overthrown; it is not a waste of time; it is not nutty; and it not jolly.
I asked the “Program Director” what to do. I asked what her intent was. I asked if she could give me some thoughts. Even a hint would be helpful. She said simply that I have a sense of humor and cold be entertaining so not to worry about it. I concluded that she had no idea what was meant here. I asked a couple of others on the Planning Committee, but each of them said he could not remember any discussion or even the decision. I wondered if they might not be lying.
So I was to be entertaining. The only way I can do something in a context like this one is semantic, to look at alternative meanings. And here is where the substantive trouble really began. I could think of nothing more that to look for sources that contained different meanings. And so I set off.
Critique of the Case Itself.My first whack was to describe the case, emphasize the ways in which the consent of the insured-and-client might be procured, argue that the need for the insured’s consent could be circumvented by including a needed agreement in the contract of insurance, invoke the rule ALL INSUREDS MUST READ THEIR INSURANCE POLICIES, and go on from there. The folly would then have been not to go under, over, and around the opinion and put in its grave. In addition, I would go further and say that Tilley involved a double folly. I would argue that not only was Tilley itself a folly–I remember saying: “felonious”–but that if lawyers with real ingenuity had had the guts to deal with it straight-on it would be dead as a door nail soon enough. Thus, I suggested that the Bar’s omission to proceed was itself a folly. I was very proud of this idea, since folly is not usually, as a semantic matter, thought to include omissions.
I thought this one was clever, but it flopped. I next turned to a fun analogy. I tried the idea that Tilley was a kind of fun, a dance at a country club, maybe, or an afternoon sitting on a veranda sipping mint juleps, when I should be at the office trying to devise ways to talk my client into consenting to my representing the insurer as well as it.
The Seward Analogy. In 1867 William Henry Seward, the then Secretary of State arranged the purchase of Alaska from Russia for $7m, or so. At the time the sale was consummated, at 4:00 or so, he had permission from nobody relevant. The sale was confirmed almost immediately. After some time–not terribly great, news papers began calling it “Seward’s Folly.”
This would have made a good and interesting analogy for Tilley in several ways, with some components of the insurance defense bar playing the role of the newspaper. This is such a good story, I should have spent nearly the whole lecture on it. To this day, I think the audience would have loved the game, and the story of Seward himself who had been governor of New York state, who had lost the Republican nomination for president to Lincoln, served as his Secretary of State, was the most important member of the cabinet, and went on to serve other presidents.
I should have stopped right there. Too bad, I did not. See Walter Strahr, SEWARD: LINCOLN’S INDISPENSABLE MAN (2012). (A January 2016 Supplement: The Weenend WSJ for 1/23-24/2-15
carried a review of two books about the St. Francis Dam in 1928. This very damaging even may have been partially or principally caused by William Mulholand, one of the principal engineers that and politicians of sorts who created the L.A. (And yes, the “Drive” is named after him.). In any case, the review of the two book is entitled “Mulholand’s Folly.” It looks like this is analogous to the way the term is applied to Alaska, though the results were at best much more ambiguous.)
Analogies to Fun.I then suggested that Tilley’s folly as essentially connected to fun. Hi-Ho the wine and booze they flows, so let’s join in the fun; if we do, no more folly. I tried Violetta’ famous words in the first act of Verdi’s La Traviata. “Everything in life is folly, except for pleasure.” Well, I said, this would make the standard view of studying follies of Tilley, since there is no pleasure at all in reading. Its gets a C- as really good court opinions go, especially when the quality of the writings of the majority opinion is combined with the even less captivating prose in the dissent.
I had no attraction to this suggestion, however, because, although the study of the case itself is sleep pro-ducing. Thinking about the profundity and elegance of the ideas and their systematic intellectual power was exhilarating. No folly in that. Alas, the audience found this idea absurd, assuming they were not mixing together their potato chips with their tomato soup. (At that noon time anti-festival I came to hate such addresses. I acknowledge that my reaction lacked objectivity, and perhaps even truth. (I wouldn’t know. Shame, if nothing else, has kept me away.))
So I tried using it. I even had a video for the screen cut up with English subtitles the scene in Act I. I saw immediately that this had been a bad idea, if for no other reason that contemporary culture regards many follies as containing fun, fun, fun and therefore pleasure.
More About the Fun Analogy.I had anticipated this, so I looked for variations on “It’s Fun” thesis. At least, I said to myself, it would be fun in its self. I was supposed to be entertaining, said I.
- I thought about using a passage from Erasmus’s satire, IN PRAISE OF FOLLY (1511) “Now there’s an amusing and famous. Besides, its about the mistakes of lawyers, The audience will love it,” I said to myself. And then I realized that it was not about insurance defense lawyers and insurance companies; its about the legal profession in general. So I wondered about, rejected that idea, and then used it any way. .
Then I thought about using photographs of famous “Fun ‘Places'” I tried the Ziegfeld Follies: first the building and then the show itself. The first was too introductory, suggestive of concealment by boring, and the building itself was not architecturally interesting in the slightest. The show itself might be thought of as anti-feminist. Tilley, of course, was neither. Again, I reflected on whether to use the idea and the exhibits, but was worried about running out of time and so I used the idea anyway. One can see why catastrophe was looming. (Supplement 8/11/2015. I still wish I had had Cynthia and Sara Brideson’s ZIEGFELD AND HIS FOLLIES (2015) available to me. This 500+ page book outlines a history of Ziegfeld’s work and its transformation of American popular culture. Here the word “follies” and therefore “folly” does mean fun, virtually joyous, entertainment. His 1928 comedy of the West was named “Whoopee,” and was made into a movie with many of the original case, and it was a hell of a lot of fun. Maybe if there book was out, I could have shown part of it. Wait! The whole approach was a disaster. Why am I still letting it roam around in my mine. (In any case the Bridesons’ is a marvelous book even if it contains errors noticeable to the cognoscenti, of which I am not won. See Ethan Mordden’s review entitled “The Man Who Loved Women,” in August 8-9, 2015 Review section of WSJ.) I’m glad that I did not know enough about Stephen Sondheim’s FOLLIES. While it may capture some important fun parts of Ziegfeld atmospherics and perhaps that legal culture that lead up to Tilley, it would have other distracting themes.
- I played with the idea of the Follies Bergère, and did the same thing. The building was more interesting but the inside was hardly any better that the New York venue as to the erotic and the image of women. Still, I thought that Manet’s painting of the inside made things much better. The mirror was used to see the crowd and the woman at the center of the painting, a bartender, looked sad. Should not represent anybody or thing involved and that spoiled the use of the picture.
I then gave up on fun as how to explicate the idea of folly. I got ever more up set with the assignment I had received. For many years, I have simply declined to follow directions, but at this point in my life, I had come to the conclusion that this attitude isn’t always such a good idea. I didn’t know what to do, though I had faith that something could be done.
As Faith of Some Sort. So I tried that is not only procedure but substance. I tried to think of Tilley as being a folly of faith, or that it was the destruction of an irrational faith–“It was folly [or folly-fus]–in the old order. If I could do this I would turn that into the idea that the importance of Tilley was a matter of faith. The first of these ideas made no sense to me, and I had no evidence for the second. Consequently, I didn’t use the idea at all. Faith in the old was obviously defective yet people had faith in it anyway. Even after Tilley was decided many lawyers held to the old organization of the defense lawyer + insured + insurer market. The new version had a whole new approach, the right one, and so after getting used to it, faith in its future would arise in a vast majority of lawyers. (And it has.) However, the idea of progressive versus unchangeable faith sounded too religious. I was in a secular context, after all. This sort of thing–CLE’s in general–were required by a state entity, namely the Supreme Court of Texas. This was the weakest idea yet. So again I changed course.
Book Titles. Then I began using semantically analogous language coming from different contests. I started with a book entitled WATER FOLLIES published in 2002. The title is attractive, I said to myself, but the book itself is really about how groundwater pumping destroyed the Santa Cruz River in Arizona and is sending the rest of the country into the hand basket which will take us all to hell. I immediately stopped; people were walking out. I junked this approach on the spot. (There were lots of examples of titles like this, but I ran through the tempting slides in 20 seconds.)
Recently I saw a fascinating book by Evgeny Morozov entitled TO SAVE EVERYTHING[,] CLICK HERE. The subtitle of the book is “The Folly of Technological Solutionism.” It was published in 2013. The thesis of the book, roughly speaking, is that nothing, not even the Internet, and its relatives, can cure us all of everything, and they might even do damage while we tried to make it so. I would have used the idea as a critique of the idea that Tilley, or any other case really, can solve complex legal problems. Of course, I’m glad I did not experience the temptation. No doubt it would have washed me away. I never seem to learn. See below.
The Architecture Analogy. At last I reached my third most favorite idea: the so-called “Folly School” of architecture of the 18th Century. Here are several examples. Their essence was to be complex, beautiful, and unfinished. Surely legal history is like that, I thought, including Tilley, perhaps above all, or–at least–most.
Tilley was like these I said to myself, except for the last one which comes across as wrecked as well as deliberately unfinished. The opinion and the arguments were complex; the whole jurisprudence was beautiful; the ideas of the case would be elaborated for centuries; and that’s how long the new approach would last. Alas, nobody lit up at the idea when it was presented. And it was obvious that nobody bought it. I was disappointed, to say the least. Besides, thought I, one of these buildings looks rather like a camel, and maybe I can do something with that..
The Poirot Analogy. This is an Agatha Christie source, coming from a novel entitled DEAD MAN’S FOLLY published in the U.S. in 1956. It has been popular for longer than a half century; it has been serialized in a then popular magazines (US Collier’s Weekly, UK John Bull with illustrations), translated into at least 18 languages, adapted as a film, put on the radio, run in several TV shows, including PBS’s “Masterpiece Theater in 2014, and even a video game is named after it. The term in the title refers to an instance of a the kind of folly now being discussed, and it plays minor roles right up to the end, when it plays a central role being the. . . . . . . . .
The presentation was within 3 minutes of being over, so I presented by second favorite idea. A church pictured upside down. I suggested that this is how the insurer-insured relationship could be pictured once Tilley was decided. Again no reaction. I see now that the idea could not be made to work.
Upsidedown-ness Analogy. Here is an amusing and stimulating analogy, I said, as I went forward. I especially like the way the building tipped. Still, I had doubts. Isn’t there an offensive attitude toward Christianity built into this image? I took the chance.
The Analogy of the Light House. I thought about showing the scene from Folly Beach in South Carolina, but rejected the idea because of the light house. (“The dock was no problem, but the light house just would not work. Convey the wrong idea entirely,” I said to myself.)
At last, I abandoned my efforts and showed one last slide. My time was about out already anyway. It pictured a winding road moving up a mountain. I suggested that this picture portrayed the idea of the historical picture of the law: up a little, aside a little and even downward either by slippage or misguided intent. (Notice that the pictured two-lane road can be driven in two directions, and it is possible to go off the road entirely and crash down several hundred feet. When there is a crash like that you can’t get straight back up to the road. You must avoid snakes, you may have to start over trudging along, or you may have to go-go with the flow of the stream or struggle along against it no really knowing where the river goes.) I ended by asserting that Tilley was and is at a crucial point and was moving up.
Guess how the assembled but mostly sleepy group, that early afternoon, reacted to this ending.
Now as readers, you are challenged to recognize all the mistakes. They have been recorded on the Obit
Page of an obscure paper, ad, or magazine. Even it contains interesting errors, like this blog. Good luck.
P.S.: Here is another temptation and another possible error. It just occurred to me this weekend, January 4, 2014. In the lighthouse-dock group on a beach named “Folly Beach,” I entirely neglected to treat the sea and a character for creating the analogy or the symbolism for the image. If the sea became the entirety of the relevant law, the light house would become the Tilley Principles for protecting the dock, it–the very complex dock–could be made to be the symbol for both the insureds and the insurance defense lawyers. If I were to have tried this, it would have had to come immediately after the Steward Analogy and the only thing left would probably the highway/mountain analogy. So the talk would have three images. Wait! Have I learned nothing?! See above.
P.S.#2: “Work of Art as Folly.” Nor am I the only Errorer (i.e., one who commits errors or errs). On July 25, 2014, the House Natural Resources Committee issued a 58 pp. report calling the project for creating a memorial sculpture of Gen. Dwight Eisenhower and other soldiers, designed by a world famous designer Frank Gehry and his firm, to be placed on the Washington Mall a “Five Star Folly.” NYT, C1 for Monday, August 4th and a picture at C4. It’s suitably dignified, very handsome and may be great. Granted it’s way over budget, but the costs of works this large, complex, and large, are always a lot and government budgets for this sort of thing are almost invariably deliberately under priced at first, so that someone else can take the blame for the gross costs. Granted also, the critique may be a kind of political Ziegfield-folly, or easily called that, given that it is a mid-term election year.
P.S.#3. A month ago, or so, in early 2015, I discovered that Stephen Sondheim created a “Broadway Musical”–music and lyrics, anyway–entitled “Follies.” Some think it among his best. It concerns characters like those in the “Ziegfeld World.” I guess I haven’t quite learned my lesson, because I find myself wishing to have known about it and included in the presentation. (Of course, it could not have been known then, there would be talk of its being made into a movie because of the success of Into the Woods.
I’m even thinking about writing a LinkedIn Post entitled “10 Things/Temptations to Avoid in Planning Your Next CLE Presentation [or Your First One, for that matter].” Maybe the title is too long.
P.S.#4. Several days ago, mid-July 2015, I ran across a phrase I had not imagined: “sublime folly.” This phrase is used in the great 19th Century French novel, The Charterhouse of Parma by Stendhal. It is among the thoughts of a young, naive, handsome young Italian noble man as he contemplates making love to or with a forbidden woman. Obviously, lawyer work does not involve “sublime folly,” at least not in this sense. Then again, there is sublimity in imagining, formulating, and even giving an elegant, profound argument, even if the lawyer knows that it is not likely to win a case. (At the same time, all competent lawyers know that one may not given even the most sublime arguments if they make losing a case more likely.)
Quinn and Quinn